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Note to parents: The film has some genuinely funny moments, but it’s also one of Pixar’s darkest and scariest endeavors. Very few films, though, devote so much screen time to mothers and daughters in so relatable a fashion, so perhaps the film falters at times because it is exploring uncharted territory. I would have liked to see the filmmakers play around with the princess formula with a bit more confidence. It never quite reaches the narrative high points of previous Pixar classics like Up or Toy Story the film marks Pixar’s first foray into female protagonists. And the desire for reconciliation by the film’s end is heartfelt.īrave isn’t perfect.
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The spats between mother and daughter feel real for those who have lived through them. Viewers get a strong sense of how this relationship has progressed from the familial closeness of Merida’s childhood to the tempestuous outbursts and emotional distance of her adolescence. Unlike the evil stepmothers or long-absent matriarchs in typical princess films, Elinor is not a stereotype, but a complex character who genuinely cares for and supports her daughter.Įarly in the film, a peaceful scene between the mother and daughter is juxtaposed against their present-day feuding. Daughters who desire independence and an identity forged outside the confines of worried moms will find a kindred spirit in Merida.
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Mothers in the audience will immediately sympathize with the harried queen, who wants nothing more than her daughter’s full attention during harp lessons, a dinner table free from bows and arrows and for Merida to just agree that mother knows best. What makes the film a must-see, especially for teenage girls and their mothers, is the true-to-life portrayal of Merida’s relationship with Elinor.
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Merida is left with just two days to either reverse the spell’s effects or lose her mother to bearkind for good. Instead Elinor is transformed into an enormous, lumbering bear. After some feuding, Merida escapes into the woods and meets a witch subsequently, she buys a spell to “change her fate,” but the spell, unsurprisingly, doesn’t work quite so simply. Merida is enraged when her mother, Queen Elinor, insists she must marry one of the doltish sons of her father’s fellow lords. The action of the film is fairly straightforward. Brave includes sly nods to the traditional princess plot and deviates just enough to poke fun at the formula her suitors, for example, are a collection of goofy, awkward, self-obsessed teenage boys with nary a square-jaw in sight. Merida is the delightfully free-spirited princess who would rather practice archery and explore the beautifully rendered Scottish highlands with Angus, her horse, than be groomed to be a proper wife. The arrival of Pixar’s Brave, in theaters now, moves away from the typical Disney princess formula.
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Özkubat, who was previously director of Turkish drama, took up the newly created role of head of sales and acquisition with a remit covering all Turkish content and responsibility for overseeing all of the distributor’s business activities in Turkey.By Claire McBroom Movie Review of Disney Pixar’s BraveĪnyone who grew up watching animated classics, like Snow White, Sleeping Beauty and The Little Mermaid, can easily outline the plot of a typical princess film: our heroine is beautiful but woefully single, and after consulting her animal friends and meeting her square-jawed Prince Charming, she overcomes the various obstacles in her path-her evil stepmother, the jealous octopus queen, etc.-and lives happily ever after in wedded bliss. In Septmber last year, Eccho Rights reshuffled the sales and acquisition division for its Turkish content by promoting Handan Özkubat to a new role.
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“We have seen a renewed and growing interest in Turkish drama in Italy in the past 12 months, and following the success that Turkish series have enjoyed in Spain during the past two years, we see Italy as the next Western European market that will really embrace these titles,” revealed Nicola Söderlund, managing partner at Eccho Rights. The deal follows Mediaset’s previous acquisition last year of Sürec Film’s Sisterhood from Eccho Rights, which also aired on Canale 5.
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The series, which is produced by Ay Yapim, proved a ratings hit in Turkey and has sold to more than 100 territories globally since its launch on Star TV in 2016, telling the story of Cesur, who falls in love with Sühan, the daughter of the man he believes killed his father.
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Mediaset-owned Italian comcaster Canale 5 has acquired Turkish romantic drama Brave And Beautiful, following a deal with CJ ENM-owned distributor Eccho Rights.